Here's a video the juggling history nerds might enjoy:
Yup, almost 24 minutes on a single juggling trick! But one of the most famous bits of juggling. Never before has it been so easy to compare different versions of the Brunn Finish Combination Trick.
Thanks to David Cain for sharing some never-before-published clips from Freddy Kenton and Johnny Joannides. A list of (most of) the source videos can be found over on my blog: https://www.lukeburrage.com/blog/archives/2613
Thanks for the research, the compiling and the sharing! Good luck with the practicing and building!
I learned last night that in Spanish, or at least in South America, the trick is known as "the combination twelve trick" which, I'm sure, is a reference to the number of objects Brunn catches from his assistant at the start. Maybe it should be "the combination thirteen trick".
I wanted to learn some combination trick things, so looked into the ultimate version of it. As in, how should it be done, not just how I would do it from memory. Then, of course, I discovered how many different ways it could be done. Then I wanted to work out what the minimum viable version of the trick might be but still qualify as "the brunn finish".
- minimum 9 props, to at least match the earliest version of Piccinelli and Brunn.
- the trick is about ball spinning, ring whirling, juggling, and balancing, all at the same time.
- must include a ball spun on a finger, objects juggled in the other hand, a ball on a mouth pedestal/mouthstick, a ball on a head pedestal balance, and at least one ring whirling on a leg/foot.
- if any above element is missing, it must be "made up for" by inclusion of more props/elements added elsewhere.
The version of the trick that has most elements is Ernst Montego's. The version which is closest to the line of not being included was Michael Chirrick's as there is no balance of a prop involved, and unlike Albert Lucas he doesn't make up for it by performing while on ice skates or similar. But he does have four rings whirling, which means he's not slacking elsewhere.
Only after I put the video together did I notice that mine is the only version where two feet are on the ground. In my defence, I've learned this to put in my second show on cruise ships for when the ship is moving so much in high seas that I can't do my rola bola finale. You can only tell the stage is moving in the video clip because the curtains are swaying in the background. Even standing on one leg is too much in that situation, so I'm not sure if I'll ever bother to learn it so I can perform it on one leg.
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