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DawnDreams -

Hey guys,

I am doing a totally off the cuff study of how many women are on Gala stages in Juggling and Flow festivals for 2016. I am looking to collect the gender information of people on the Gala show. How many men and how many women are presented at festivals around the world?

I just need one person in each festival to keep it in mind to get as many data points as possible.

https://www.dawndreams.ca/equality-for-women-in-juggling-demographics/

keep it in mind if you can, Thanks,
Dawn

Daniel Simu - - Parent

Hiya,

I am a bit biased against these kind of gender studies, excuse me for that. Collecting data can never be bad, so I hope you succeed.
However, I am a bit disappointed already by your tiny article.

..." and more generally, (women) are not as respected in the juggling community."
How did you draw this conclusion?

And, are you taking in account, when you say that female jugglers get less appearances in festival shows, that there are generally less female jugglers available? That specifically at juggling conventions it is those with high technique who thrive (unlike at circus/theatre festivals or other stages), and that women are not so well represented in this genre of juggling?

I personally feel like female jugglers have an advantage over male jugglers in shows. They are rare and unique, and wanted.

I have a female friend who got into a Gandini production, though she could hardly juggle compared to the male auditionees. Gandini needed a mix of male and female performers (7 male 2 female for this particular show) and there simply were no better female candidates available. With less skill you can still get into the big gigs.
The same happened in my circus school, in one of the auditions (not mine), a female juggler was allowed into the school. We were all very surprised, as she wasn't very good in a lot of areas including juggling, compared to the other auditionees. The juggling teacher replied with something like "lack of female jugglers, need to stimulate, high market value".
Also, I have been taking part in the organisation of some juggling convention shows. Always the topic 'female juggler' pops up, where we are desperate to add some more femininity to the show, but we don't know who. When we first make a list of our favorite acts, not many girls seem to make it, but in the end we always find a way to include one or two.

Now I am not saying that the above is necessarily bad, but it makes me extra sad to see that people start research about how girls are negatively treated unequally.

What about the possibility that on average girls are less interested in juggling?

LukasR - - Parent

i don´t think the research is irrelevant at all but i think juggling convention gala shows are basicly the least important place to look at... why ?

a) nobody earns money doing that, instead you waste a fine convention day rehearsing... not performing at juggling conventions is not a disadvantage for anyone

b) as daniel said alot of conventions will take any performer who meets the gala show standart and there´s rarely a selection process other than.. who lives close, whos available, whos at the con anyway, oh sorry but we don´t need that prop anymore

c) it´s so unclear if this is a research about the hobbyist juggling szene or the professional performer juggling szene

d) if this were about hobbyist it´s so weird because i don´t think most of them want to perform on a gala anyway, also most of them don´t care about beeing respected as one of the top jugglers in their field

e) if this were about the professional performer szene it is in my opinion wrong to isolate juggling from other circus and variety disziplins. would you say that males are disrespected in ariel acrobatics or ballett ?

i think this research would make way more sense for "high profile circus festivals (demain, carlo etc) variety shows, paid television gigs, performers in big circus companys etc.

DawnDreams - - Parent

That would be awesome to see you run that study!

DawnDreams - - Parent

"..." and more generally, (women) are not as respected in the juggling community."
How did you draw this conclusion?"

Personal experience through a decade and a half in the community. Hundreds of conversations with women in the community. Comparative analysis of our collective anecdotes with everything I have read from every single other field of study that gender has actually been studied.

music,
https://feministing.com/2015/01/22/bjork-talks-sexism-in-the-music-industry/
computers,
https://www.slate.com/blogs/xx_factor/2015/03/05/ellen_pao_trial_revealing_details_of_how_gender_discrimination_happens_in.html

theater,
https://www.theguardian.com/stage/2012/dec/10/women-in-theatre-glass-ceiling
comedy,
https://www.theguardian.com/science/brain-flapping/2014/feb/11/women-arent-funny-why-do-people-believe-this
busking
https://www.buskersadvocates.org/womenstreetperformers.html
sports,
https://www.science20.com/news_articles/low_female_sports_coverage_in_media_due_to_gender_bias-149671
STEM,
https://www.cfa.harvard.edu/~srugheimer/Women_in_STEM_Resources.html
teachers in academia,
https://news.ncsu.edu/2014/12/macnell-gender-2014/
students in academia,
https://www.astronomy.ohio-state.edu/~lopez.513/Letter/Letter_to_NY_Times.html
politics
https://youtu.be/SOPsxpMzYw4
and among nearly every single occupation on the planet
https://www.nytimes.com/interactive/2009/03/01/business/20090301_WageGap.html



"And, are you taking in account, when you say that female jugglers get less appearances in festival shows, that there are generally less female jugglers available? That specifically at juggling conventions it is those with high technique who thrive (unlike at circus/theatre festivals or other stages), and that women are not so well represented in this genre of juggling?"

Which comes first, chicken or the egg?
With no females to represent ourselves as capable, talented authorities on juggling how do we expect more females to represent themselves at festivals. (many festivals do have huge numbers of women at them, specifically at French festivals where I took my preliminary observational data from).

"I personally feel like female jugglers have an advantage over male jugglers in shows. They are rare and unique, and wanted."

This one job isn't well representative. Much of what women experience is "tokenism" as in, they have a female juggler and they think that it represents well. Unfortunately, it's not equality or fair minded.


What about the possibility that on average girls are less interested in juggling?

I mean it is possible, however, there was hundreds of years where men were told that they "throw like a girl" and have often discouraged women from playing ball sports. On the other side, there was a huge marketing campaign for hula hoops stating they were "girls toys" and women don't seem to mind being prop manipulators at all... So why the divide? I would expect it has to do with being discouraged for centuries...

All in all, data is data. This is preliminary data and I doubt it will answer questions. Let me know if you read/watch/interact with any of those links above. It's really interesting stuff.

Mini - - Parent

Dawn

it seems your coming into this with your bias already quite well defined. Is this one of those days where your looking for data to justify your own opinions?

I have programmed many gala shows, and been on the organising side of many more. i have never seen any gender bias exhibited at all. acts are chosen on their artistic and technical merits, regardless of gender.


sorry to disappoint


Mini

DawnDreams - - Parent

Hi Mini,

I did my own observational study of 6 festivals (mostly in France) last year and noticed about 17% were women on stage. This included ALL women, including language interpreters. EJC was the only festival that represented women at 45% - which was awesome.

It is super refreshing when I can see equal representation.

This notion you present that the gender balance seems to be equal is unfortunately common. Geena Davis runs Geena Davis Institute on Gender in Media and on an interview on NPR she states “[There is a] disturbing study, where they looked at the ratio of men and women in groups. And they found that if there's 17 percent women, the men in the group think it's 50-50. And if there's 33 percent women, the men perceive that as there being more women in the room than men”.
Her theory is that, in movies, women are seen on screen at a ratio of 5 men to every 1 woman and it creates a bias in our everyday perception.
here's the link.
https://www.npr.org/templates/transcript/transcript.php?storyId=197390707

Anyway, collecting data is collecting data. We will see if my theory proves true or false, right?

^Tom_ - - Parent

Actually Dawn, if you read carefully, Mini never said that there was equal gender balance (i.e. 50-50), but rather that there was no bias when picking acts.

I would go further than that and say that I've been involved in discussions as a show advisor where we were specifically trying to think of more female performers who might have been available in order to avoid having a male dominated show.

Brook Roberts - - Parent

I've certainly had the experience of show organisers discussing female acts with the explicit goal of getting more to bring the balance of the show closer to even. And separately, trying to ensure that you don't just achieve this goal by bringing in hoopers/aerialists, but include a female juggler too.

Danny Colyer - - Parent

Mini wrote:
"it seems your coming into this with your bias already quite well defined. Is this one of those days where your looking for data to justify your own opinions?"

That matches my perception, but perhaps things really aren't the same in France as in the UK - I'm pretty sure that things have changed for the better in the UK over the last couple of decades.

Certainly when I started attending conventions 22 years ago it seemed that the vast majority of female convention-goers were only there to accompany their boyfriends. ISTR how to get more women juggling being a fairly common topic of conversation on rec.juggling back then. These days there does seem to be a much healthier gender balance.

Richard Loxley - - Parent

I agree that there seem to be more women in juggling now than when we started. But my perception is it is still not equal.

My gut feeling is that the gender balance in my juggling club and UK conventions is 30-40% female. But I'm interested in that study Dawn mentions that such perceptions are wrong. Perhaps the number of women might actually be lower, and it's the increase that makes me think it's more balanced than it is?

I'll try to do some informal counting at the next couple of conventions to see how accurate my impression is.

Do any conventions record gender balance in attendees? If so that could be interesting to see.

In my local club, I can think of 4 women and 4 men who turn up almost every week. I can think of many more men who turn up occasionally, but very few women who turn up occasionally.

I've also noticed in unicycling clubs, where the balance is almost 100% men, that occasionally women will turn up and try it out, but it's rare for them to stick around for more than a week or two. I've suspected that not having other women there puts them off. Anecdotally it seems that if two women start coming in the same week, they are more likely to carry on.

I used to do Street Dance. In my first classes there was one other man, the rest were women. I found having him around very comforting as a beginner. Eventually he left and I carried on. It is intimidating being the odd-one out in such circumstances, but I'd been doing it several months by then, so it was just about manageable.

I wonder if something similar is happening with our juggling club - that you have to really want to do it to overcome the discomfort with a gender balance - hence the dedicated regulars are fairly even male/female but the less dedicated occasional people are more biased to men?

Brook Roberts - - Parent

This seems more plausible to me. We often see a similar problem with props at our clubs - if we have no diabloists/contact jugglers/whatever then it's hard to get any more - a beginner has less people to teach them, and a more advanced person doesn't have the same community aspect of turning up.

Obviously, if they just want a practise space and some social interaction it can work out, but otherwise I think it's pretty off-putting. (similar for beginner jugglers, etc)

Danny Colyer - - Parent

Richard Loxley wrote:
"I've also noticed in unicycling clubs, where the balance is almost 100% men, that occasionally women will turn up and try it out, but it's rare for them to stick around for more than a week or two. I've suspected that not having other women there puts them off. Anecdotally it seems that if two women start coming in the same week, they are more likely to carry on."

Yes, I've found that very noticeable. I particularly remember a few years ago having two consecutive weeks where a woman (a different one each week) showed up to hockey for the first time. Each of them seemed put off by being the only woman and we never saw either of them again. If only they'd come along in the third week it was half term, so I had Jenny and Catherine there.

The women who've stuck around tend to be the ones who came along with friends in the first place.

York Jugglers - - Parent

You can find a(n almost complete) list of performers at previous Chocfest (York Juggling Conventions) at www.yorkjugglers.org/chocfest#history

I don't think there has been any sexism in the selection of artists, in fact the producers of the show choosing the acts in many years have been female. The main criteria is more often which talented jugglers are available and generous enough to perform for what our convention can afford to pay.

<<<< Come to Chocfest 23rd January www.chocfest,net >>>>

York Jugglers - - Parent

oops! should be www.chocfest.net

DawnDreams - - Parent

Thanks for that info. I will put it into my back-dated data (Which I am also collecting).

There are many factors that go into making a show, I understand. I have been on the board/the president of 10 festivals myself in Vancouver, Victoria Canada and now the one in France.

Orinoco - - Parent

Some of this data turns up in the trivia section, I always add the performers for all the festivals I go to.

I think women are more than holding their own in the juggling community, just in a different area. From 2015 back to 2010 all the main organisers of the BJC have been female. You have to go back to 2009 in the BJC History to find a male main organiser (Jak who co-organised the festival alongside the lovely Anna). When I think of the powerhouses who ork to put these festivals on my list of names is overwhelmingly female.

Your assertion that women are not respected in the juggling community is nonsense just by the amount of respect I have on my own for the following people alone:

Jane Randall, Natalie Randall, Amie Bridge, Steph Schneider, Emily Winch, Lorri Reese, Dee Toher, Mamph, Fak, Sam Gresham, Sam Hardwick, Claire Stephens, Kat Brown, AnnaBod, Anna Inman, Carolyn Murphy, Stacie Murphy, Liz Beyer, Hayley Kneale, Britta Hofman, Tina Carter, Ali Williams, Nicole Taylor.

If it wasn't for these people there wouldn't be a juggling community in the UK.

Orinoco - - Parent

Katie Struthers! I can't believe I missed out Katie! I'm sure I've missed out more...

Never make a list, I know this, why did I even try?

York Jugglers - - Parent

Don't forget Mamph (Sam Heasman) who organised many Chocfests as well as quite a few BJC Public Shows (and much more)

York Jugglers - - Parent

Oops! You hadn't, I was just looking for her full name.

JonPeat - - Parent

Doctor Alice has been the main organiser of the Leeds Juggling Convention as well as Hullabaloo for I don't know how many years.
Never make a list Orin! ;-)

Orinoco - - Parent

In my defence I have sadly never been to either of those conventions! I have no doubt there are many ladies involved in many regional festivals that I have never been to who are equally deserving of praise. There are of course many men also deserving of such praise.

Mïark - - Parent

It is a shame that on the list of past organisers on that BJC history wiki, only ~14 of the 40 listed are female.
Perhaps someone needs to update that list.

Mïark - - Parent

This link was meant to illustrate my point in that post

It's Him - - Parent

Just looked at the trivia for Milton Keynes Juggling Convention last year. 55% of the acts were female. 75% of the acts that said they would be in the show and then pulled out were female. This is a much higher percentage of performers than was represented by the audience, which was approximately 75% male.

You could argue that many of the female performers in the show weren't jugglers but 50% of the jugglers in the show were female.

Obviously this is just one convention but you appear to be arguing bias based on a sample size of six conventions in one country. Perhaps you should start by gathering data of percentage of participating females at an event (not hangers on) compared with percentage of female performers in the show before claiming bias.

Nigel

Orinoco - - Parent

Thinking about this more. What is the goal of this study?

If the results do show (& I'm pretty sure they will) that there are less women performing on gala stages than men, what does that mean to you? Will you be advocating that national conventions should field equal gender casts? What about other minorities? Would you advocate that Skinning the Cat should hire male performers for their shows?

I think the job of a show director is to put on a good show, & that's it. They should be picking acts based on their quality & suitability to the show, not trying to assemble a diversity parade.

I prefer to celebrate the efforts of the individual, I'm only interested in what they can do not what pigeon hole they fit into.

I take no credit for the achievements of those who I share a few genetic traits with or happen to live within the same arbitrary geographic division. Their achievements are nothing to do with me. Sitting at home watching the Olympics & seeing someone of the same nationality taking gold & smugly thinking 'we' won is completely irrational. The win is that person's (& their support team's) victory alone. Therefore I have no impulse to drive for more representation of white, British, male, nerdy, juggling, Salsa dancing, skating, programming, fudge addicted, womble lovers.

The only point I can see for this study is if you think that women are being purposefully excluded from performing, which I currently don't believe is happening, at least here in the UK. If it is the case though, that is something I'd be interested in. As has been pointed out in other posts in this thread, if women are being passed over for slots in convention shows, it is often female organisers who are doing the excluding.

Al_Bee - - Parent

I agree. In the slightly different world of stand-up comedy there is an issue with representation of women comedians and I've seen examples of adverts for performers with explicit comments about not wanting more than one female performer in a line of of 6-8 comedians; women comedians being told not to do stuff about women etc. From my experience as a show watcher at juggling events I would love there to be more women in the shows but I seriously doubt that the guff I've mentioned about comedy regularly (or ever) happens (in the UK convention circuit anyway).

Little Paul - - Parent

All that stuff about female comedians does (unfortunately) happen - in gigs with a paying audience, put on by an often male promoter who is concerned primarily with getting paying punters through the door.

It is changing in the UK (and I think Sandi Toksvik has a point when she says that the only way to get more women comedians on TV is to put one of them in the chair for a regular prime time panel show - which she's doing with QI) - although much more slowly than I would like.

However I think a juggling *festival* show is a different environment entirely.

Quite often, performers in festival shows aren't paid, are paid expenses only or paid a token amount. Very rarely are they paid market rate. The promoters are more concerned about being able to get enough acts to fill the show at a price they can afford, and within those limitations booking the most interesting acts that can fill the bill.

Does the budget make a difference to which acts are approached? Perhaps not. Does it make a difference to which acts accept the gig? Quite possibly.

I think if you're going to gather statistics on which acts appear in shows, I'd also like to see stats gathered on the acts were approached but turned down the gig and the acts which accepted but then pulled out.

Hypothetical situation:

If I book a show and approach 9 women and 1 man, and 6 of the women either turn me down or pull out at the last minute - and I fill their slots with men who said yes on the day... I end up with a show with 7 men and 3 women, which looks like I'm an evil sexist pig for putting on a male dominated show.

Was the end result my fault if it differs drastically from what I set out to book?

I fully acknowledge my white, male, middle class privilege in this debate... but I do look on Dawns work and wonder "If I was asking the same questions about representation of gay performers would it be as interesting a question?"

To be honest, I really don't think it would be.

Little Paul - - Parent

Good lord that was more rambling than I intended.

Little Paul - - Parent

put on by an often male promoter who is concerned primarily with getting paying punters through the door.

Now there's a half finished thought. What I meant to put on the end of that sentence was "so they have a formula they stick to, one which worked last week - changing that is risky"

Scott Seltzer - - Parent

Actually, I do think that the country does deserve some credit for the success of a competitor in the Olympics because tax money usually helped pay for their training. The government is their sponsor and the citizens paid for it.

Little Paul - - Parent

Sitting at home watching the Olympics & seeing someone of the same nationality taking gold & smugly thinking 'we' won is completely irrational.

Although it's arguably a better approach than I was taking when watching the diving/mens gymnastics and working out who I wanted to support...

James Hennigan - - Parent

Do you want to include non-juggling acts? I've only been to one convention so far (The National Circus Festival of Ireland 2015) and there were 3 juggling acts and maybe 4 or 5 non-juggling acts e.g. dancing, comedy, acrobatics, clowning etc.

I'm just wondering because I wouldn't say the guy who escaped from a straight-jacket or the comedian are "leaders in our community".

DawnDreams - - Parent

Yes, I include all women on stage. The above data even included the sign language interpreter, because it's easier to include every single woman than to debate the definition of juggling.

Daniel Simu - - Parent

A bit relevant:

Are you aware of the recent gala show in Hamburg? Organised by Corina, who selected 1 male artist and furthermore only women in the show!
www.lukeburrage.com/blog/archives/2314

DawnDreams - - Parent

This is great information, thanks!

DawnDreams - - Parent

Also, Germany is the only place I have ever felt a sense of equality in the juggling community. In my experiences in South America, the USA, Thailand, France, England and Scotland, Germany is where it's at for ladies in juggling.

lukeburrage - - Parent

Back in about 2007, at the Dresden juggling convention, I thought there were more ladies than men, so started counting in each room/venue I was in. Consistently men were outnumbered about 60/40. Back then it was still new to me, as in the UK it was normally that ratio but the other way. Today the male/female ratio at Germany conventions is always so equal I don't notice it.

charlieh - - Parent

Sounds great, Dawn, this will be an interesting study. Sadly I'm not involved enough with conventions these days to give you any useful data.

I was amused by the amount of mansplaining in the replies as well. Yes, convention show organisers often try for a gender balance. No, it's not always easy to find female performers in similar disciplines to the majority of male performers. Yes, the situation is better than it was back in the day (when the answer was as often as not 'er.....is Kati available??') . Yes, there are a lot of women involved in organising conventions/shows but that's not the same thing.

None of this means that we can't do a hell of a lot better to inspire and support female jugglers to perform, with the hope that one day this will simply be a non-issue. Good and neutral data on the actual situation today would be very useful.

One suggestion I have is to see if you can collapse multiple appearances of a performer into one data point, to avoid multiple appearances of the same performer affecting the result. Irish Dee (who is a statistician) - I don't remember if she's an Edge person - may be able to suggest other points.

Charlie

It's Him - - Parent

That would be Dee who posted today about the stats society Xmas quiz!

Looking at the trivia for conventions on juggling edge and just sampling acts and compères should give quite a good historic indication of female:male Are there any convention acts that share the same name? If not then unique female:unique male is also fairly trivial computer search. Whether that number gives you any indication of whether the acts were juggling is a different matter. E.g. in the first MKJC show Seth Rider performed an act where he chucked a lot of balls and clubs on stage and then proceeded to collect them all with kick ups. No actual juggling was performed. Was he a juggler in this instance?

Nigel

Dee - - Parent

I think that I would collect each appearance separately - and possibly collapse them later [as the reverse can't be done]. I was trying to think about what information I'd like to take into account, and I would probably like at least the following:

  • Performer Name
  • Gender
  • Convention [name (location) and year]
  • List of those involved in organising the line-up of the show
  • Act Type
  • Headliner / Main Act?
  • Host
  • Solo Act (Yes / No)
  • If Not Solo Act: Number in Group and Proportion of females in group
  • Total number of performers in show

Nice to have:

  • Number of Appearances by that performer in the show
  • Number of previous appearances in show (are they a "regular")
  • Approximate distance traveled by performer [more for small regional conventions - are organisers selecting from a much smaller group of jugglers].
  • Venue restrictions [e.g. was rigging possible in show venue?]

This would allow us to see if the issue really is a gender issue, or it is more a problem relating to the same acts being familiar to convention bookers.

^Tom_ - - Parent

I can see how this would help to assess the gender balance, but I'm curious how (if) you would assess the question of gender bias?

If the community itself has gender imbalance (I think it does), or gender segregation (again, hula hooping is an often quoted example), then what should a "fair" show look like?

Should we strive for balance, or just try not to discriminate?


And whether we would expect the community to be more balanced?

I can believe that almost all-male juggling clubs could be a put-off for potential female new members as mentioned already in this thread.
On the other hand, the conversion of existing members of the juggling community to kendama, for example, seems (to my uninformed eyes) to be far more common for male jugglers - and I can't think of any inherent reason for it.

I'm just wondering whether cultural/choice factors will be distinguishable. And as the initial question relates specifically to show performers, I'm wondering whether or not this should be taken in relation to a background distribution of jugglers, of performers, or of the entire population. If we want to do this exclusively for jugglers in juggling shows, or all performers in juggling shows, this would almost certainly make a difference.

DawnDreams - - Parent

This is great information! Thanks! I hope to continue this study over a period of years and countries to measure differences.

bad1dobby - - Parent

charlieh "mansplaining" carries connotations of condescending and patronizing. I'm curious as to where you saw that in this thread?

DawnDreams - - Parent

in nearly every reply found except for Charlie's.

bad1dobby - - Parent

FFS Dawn - it's called robust discussion! You expect to throw around accusations of bias and not have people challenge you?
If you're going to claim you're being patronized whenever someone disagrees with you, I'm not at all surprised you don't feel much respect from the juggling community.

Daniel Simu - - Parent

To me, "mansplaining" sounds like "fallacies, based on fear or (wilful) ignorance (by men)". Possibly, I might not be seeing any of it in the posts above because I am cultured to misunderstand this issue...

But, calling out "mansplaining!!!" without backing up what, where or how.. isn't that "ignorant"?

I'm disappointed that you chose for this direction. It involuntarily supports my negative stereotype of feminists being self-righteous. :(

Mïark - - Parent

Feminists aren't self-righteous, self-righteous people are. Sadly these people who get/seek attention damage things by making the rest of the world think they are typical of ideologies like feminism even though they are a minority.

Little Paul - - Parent

self-righteous people also tend to be more visible/vocal than non self-righteous people - so there is an inherent confirmation bias.

its like the whole "cyclist vs driver" thing. Cyclists can often feel that "all drivers hate cyclists, they all try to kill me" - it's easy to notice the one driver who cut you up or who forced you into the gutter, but it's hard to remember the 100 drivers you encountered on the same journey who didn't.

NB this bias occurs equally in "feminists" and in "anti-feminists" because guess what - we're all human.

DawnDreams - - Parent

thank you Charlie, I appreciate your support.

Richard Loxley - - Parent

I recorded a few data points from Bath Upchuck this weekend. Not everything in Dee's list as I don't have access to all that data, but here's what I have:

Show performers: 8 male, 2 female, broken down as follows:

Compère & one act: male (clubs, balls, juggling and balance)
Act: male (juggling I think from memory)
Act: female (hoops)
Act: male (ball juggling)
Act: male (ring juggling)
Act: duo male & female (club juggling & passing)
Act: male (cigar box & contact ball)
Act: make (diabolo)
Headline act: male (contact juggling)

Also on stage: 4 people plugging future conventions: 1 female, 3 male. Plus a voice from the audience (male) plugging a further convention (but did not appear on stage). Also during the curtain call, 2 convention organisers (main organiser and show organiser I think) appeared on stage, both male.

I also did as I suggested and recorded an approximate gender balance for the attendees. Late in the afternoon I went to the balcony and did a visual survey of the attendees in the main juggling hall. I excluded any children below teenage as they are probably brought by parents rather than there by choice (and they move too fast to count!)

It's difficult to count exactly due to people moving, the problem of double counting when scanning an entire hall, and using visual clues at a distance to determine gender. But I think it's fairly accurate. I counted a total of 58 female, 106 male, giving a ratio of 35%/65%.

I also wondered about breaking it down further into those actively doing a skill, and those sitting at the edges, to see who was there just to accompany a juggler rather than to actively participate. I decided to take photos to analyse later from stills as it would be easier. Sadly however the mobile phone photos are very blurry, and it's quite hard to estimate gender from them.

Richard Loxley - - Parent

Oh, and the other information Dawn asked for:

Type of stage (renegade, open, Gala**):
main show (I suppose "gala" is the closest)

Name of Festival:
Bath UpChuck 2016

Country:
UK

Type of festival (Juggling fest, Flow Festival, Passing convention, etc):
billed as "juggling and circus skills convention"

 

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